Friday, December 12, 2014
About the Book
Private investigators Alexandra Neve and Ashford Egan are hired to succeed where the police have failed, to safely return home a missing ballerina. With no lead to pursue and no idea who could be behind the young woman’s kidnapping, they soon find themselves at a loss as to what to do.
To make matters worse, the heart of England seems to be caught in the middle of a little Ice Age. With snow endlessly falling and Tube lines either too cramped up to use or out of service, it is a pain to do any legwork in the huge metropolis.
Oh, and because trouble never comes alone, there may also be a serial killer on the loose in the streets of East London...
"I will always come and find you."
That's Alexandra Neve's promise—to her blind investigating partner whenever he gets in trouble, to the kidnapped women she hopes to rescue, to the serial killer she has in her crosshairs. Yet, her doggedness turns her into a magnet for danger. Her life is threatened on more than one occasion, but she channels her fear, using it to fuel her passion for her life's work because once she's involved in a case, she can't stop until she solves it. It drives her, consumes her. She views her job like a chess game, making strategic moves against an invisible opponent, one who's determined to win at all costs.
But she has one weakness—the well being of her fellow investigator, Ashford Egan. He knew he was going to lose his sight before it happened, but he still wasn't prepared for how alone it would make him feel. His mother was more concerned about finding an impossible cure than in helping him adjust to his condition. His father retreated into his work and virtually turned his back on him, so Ashford was left with no one, until Alexandra entered his life, changing it forever. She was his student at University College London and together they left academia and embarked on this new endeavor together, opening their own private eye agency.
Now they're hunting a murderer who turns his victims into puppets made of flesh and bone, the horrid tableaus at the crime scenes eliciting nothing but wretched disgust in those unfortunate to witness them. Young girls are being mutilated for no reason—talented girls who excel in the performing arts from choir soloists and concert pianists to prima ballerinas and reality show singers. The killer's after something in particular, Alexandra and Ashford just aren't sure what.
But there's one thing standing in their way—"the curse of the uniform." Detective Matthew Stenson of London's Metropolitan Police Force is more than a little interested in Alexandra. He helps them with the case, putting his job in jeopardy as he becomes more and more disillusioned with the blatant corruption in his department. Ashford doesn't get in the way of their burgeoning relationship, but it's worth noting that Alexandra spends the majority of her time with her partner and not with her copper boyfriend. She teases Ashford about being 'Mr. No Social Life' but she's just as guilty when it comes to not making room in her life for romance. She'd rather work a case with Ashford than risk being stood up on dates that Stenson keeps canceling.
While it's hard to schedule alone time with Stenson, Alexandra has no problem getting through to Ashford. She's able to look past his anger, hurt and pain and really listen to him, knowing that what he's really trying to say is, "Don't leave me." Ashford doesn't want Alexandra to "mother-hen him," viewing him as a child in constant need of her help and attention, yet somehow she always seems to know exactly what he needs from her, clearly making him her number one priority.
Their friendship is heartfelt, yet humorous. When they climb down a ladder and into the tube system, she tells him to stop looking at her bum, even though he certainly can't see it. When she guides him through tight quarters placing his hands on her hips, the moment is likened to their dancing in a conga line. She helps him unzip his coat and he ribs her about always wanting to undress him. She gets back at him by encouraging him to order a copy of Fifty Shades of Grey in Braille, even though he has no clue what the book's about. They ease the high stakes tension by joking around with each other, but there's more to it than that. When they're interrogating a witness and Ashford clenches his fist, he relaxes only at Alexandra's touch. After his apartment is burglarized and he's alone and bleeding, the first person he calls is Alexandra, and she drops everything to come to his aid.
Clearly, they're two parts of the same whole, but sometimes Alexandra questions if their laid back approach is getting in the way of the job. She kicks herself when they miss the killer by mere minutes and instead discover the body of yet another victim. She regrets taking so many breaks, feeling like they're not taking the case seriously enough, thinking they're capable of doing more. But when Ashford's eyes glaze over and become as dead as those of the victim they were too late to save, she knows something's wrong, and that she needs to slow down, pull back and be there for him. They're both dealing with a lot, but Alexandra knows that Ashford comes first, and always will, because that's what she promised him, and she never goes back on her promises.
Danse Macabre can be purchased at:
Prices/Formats: $2.99 ebook, $11.99 paperback
Genre: New Adult, Detective Mystery
Release: October 2014
Click to add to your Goodreads list.
About the Author
Cristelle Comby was born and raised in the French-speaking area of Switzerland, in Greater Geneva, where she still resides.
Thanks to her insatiable thirst for American and British action films and television dramas, her English is fluent.
She attributes to her origins her ever-peaceful nature and her undying love for chocolate. She has a passion for art, which also includes an interest in drawing and acting.
Danse Macabre is her third new-adult novel, and she’s hard at work on the next titles in the Neve & Egan series.
Links to connect with Cristelle:
Blog Tour Site
About the Giveaway
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Monday, December 8, 2014
About the Book
With Lance leading the way, the Knights of the Round Table have set out to convince the American people that amending the Constitution to protect children is right and just and long overdue. As the team travels from state to state, they are met with acceptance, indifference, and even hostility. But Lance’s popularity and mystique as The Boy Who Came Back, coupled with his innate charm, gradually sway more and more of the populace, not to mention state legislators, to their cause.
The journey becomes a rite of passage that propels the young people into adulthood, and solidifies Lance’s status as an iconic and influential figure.
But he’s uneasy. He knows Arthur is hiding something from him, something that will bring him great sadness. After The Excalibur Incident in Las Vegas, Lance becomes more and more certain that the future is one he won’t like, despite his stunning success at winning over some of the most intractable states.
Then comes the attack, sudden and brutal.
Now the Round Table is in disarray, and Lance must confront a cold-blooded killer who’s luring him into an obvious trap. But if he refuses the challenge, more loved ones will die, and everything he’s fought for will die with them. Surrounded by the diverse young knights who have become his family, Lance sets out to battle his enemy with the knowledge deep in his heart that only one of them will survive. Is this the end of the Round Table?
The Knight Cycle concludes…
Self absorption—the danger of living in a world full of Facebook status updates, Instagram selfies and tweet after tweet about me, myself and I.
Lance Pendragon knows a little something about that—being the most famous boy in the world and the adopted son of the legendary King Arthur—but he takes a different path. He doesn't use his notoriety to promote himself, instead he works to obtain social justice for others, seeking to give all American children their own Bill of Rights. However, he's not just about lobbying Congressmen or schmoozing with the President, Lance relishes mingling with the ordinary people he meets along the campaign trail from chain restaurants to hotel lobbies, passing out New Camelot stickers and bobbleheads to the eager, young fans who cross his path, inspiring them by the good example he sets.
Lance's popularity stems from the public latching on to him as the figurehead they're so desperately seeking in this day and age. Even his fellow knights look up to him, urging him to keep walking the straight and narrow, one of them begging him, "You're too good, Lance. I need you to stay that way. Please." Lance is the role model people are craving, a person they can genuinely admire. Yet their devotion requires that he "stay pure and unsullied…to be a hero." By taking up the mantle, Lance agrees to a sort of death to self when he responds to their plea of, "You're our king. There's no you anymore. There's only us."
Lance's purpose in life is no longer about individual accolades, it's about advancing the greater good. Author Michael J. Bowler makes an excellent case in comparing the knights' group effort toward bettering the community versus personal academic achievement. Bowler makes the argument that "[the knights] accomplished so much more than winning a scholarship because [their] deeds were aimed at helping others, not [themselves]." He theorizes that students don't want to be limited to spitting out memorized facts on standardized tests simply to get into a good college, they want to be challenged in the classroom and outside of it.
Arthur's followers shoulder each other's burdens, and share each other's pain. They are teenagers dealing with a lot of outside pressures amid a slew of temptations that could easily get them in trouble. Arthur teaches them to be there for each other and to lighten the personal struggles that each and every one of them is dealing with. Lance and Dakota are recovering alcoholics and they watch out for each other, making sure they don't fall off the wagon when things get tough. That sense of camaraderie is what binds the knights together and makes them strong. They can only "carry the world" when they lift up each other.
This selflessness in action is the way Lance looks out for his younger adopted brother, Chris. Lance will never put his own needs above those of his little brother. He doesn't shirk his duty, instead he gladly takes on the responsibility. Lance always puts Chris first. In the final pages of the book, Lance has a choice. He can either gratify his own desires, or he could be there for Chris at a time when his little brother needs him the most. What Lance does provides a telling glimpse into the character of the man he's become on this crusade.
Bowler's much anticipated conclusion is bittersweet, yet full of resonance. There's a scene where all of the characters get to let loose and enjoy each other's company, after making it through quite a harrowing ordeal in Washington, D.C. Bowler describes it thus: "At times like this with everyone just having fun, we're all exactly what God had in mind when he made us—human." It's a fitting sentiment for saying goodbye to these characters, and getting a chance to see them happy and fulfilled. Bowler drives home that time is fleeting and only one thing matters—the people who fill up the days and hours of a person's life. As King Arthur shares with Lance, "You have been the greatest gift I ever received, and you will live on in my heart for eternity." Bowler succeeds in heralding how love endures when a person's heart is truly given to another, expecting nothing in return, through the compelling guise of Camelot.
Once Upon a Time in America can be purchased at:
Amazon, Barnes and Noble
Prices/Formats: $4.99 ebook, $14.95 paperback
Genre: Urban Fantasy, Young Adult
Release: November 12, 2014
Click to add to your Goodreads list.
About the Author
Michael J. Bowler is an award-winning author of seven novels––A Boy and His Dragon, A Matter of Time (Silver Medalist from Reader’s Favorite), and The Knight Cycle, comprised of five books: Children of the Knight (Gold Award Winner in the Wishing Shelf Book Awards), Running Through A Dark Place, There Is No Fear, And The Children Shall Lead, and Once Upon A Time In America.
His horror screenplay, “Healer,” was a Semi-Finalist, and his urban fantasy script, “Like A Hero,” was a Finalist in the Shriekfest Film Festival and Screenplay Competition.
He grew up in San Rafael, California, and majored in English and Theatre at Santa Clara University. He went on to earn a master’s in film production from Loyola Marymount University, a teaching credential in English from LMU, and another master's in Special Education from Cal State University Dominguez Hills.
He partnered with two friends as producer, writer, and/or director on several ultra-low-budget horror films, including “Fatal Images,” “Club Dead,” and “Things II,” the reviews of which are much more fun than the actual movies.
He taught high school in Hawthorne, California for twenty-five years, both in general education and to students with learning disabilities, in subjects ranging from English and Strength Training to Algebra, Biology, and Yearbook.
He has also been a volunteer Big Brother to eight different boys with the Catholic Big Brothers Big Sisters program and a thirty-year volunteer within the juvenile justice system in Los Angeles. He is a passionate advocate for the fair treatment of children and teens in California, something that is sorely lacking in this state.
He has been honored as Probation Volunteer of the Year, YMCA Volunteer of the Year, California Big Brother of the Year, and 2000 National Big Brother of the Year. The “National” honor allowed he and three of his Little Brothers to visit the White House and meet the president in the Oval Office.
He is currently at work on a horror/suspense novel based on his screenplay, “Healer.”
Links to connect with Michael:
Blog Tour Site
About the Giveaway
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